Jab Tak Thi Jaan

Jab Tak Hain Jaan is a story of some of the most stupid characters you have seen till date. Check this out -

A Punjabi NRI girl who bargains with Sir Jesus for every damn thing in life, ultimately bargaining for the life of someone she apparently loves immensely (while engaged to someone else, but we'll forgive her for that) in return for not loving him again ever (or as it seemed from later parts, not to sleep with him, coz you know, that's what true love is all about - sex). Dont even get me started on the lack of bottoms in her wardrobe - apparently someone told her women dont need to wear anything below the upper thighs, for that part is made of pure plastic. Incidentally, that is the same material as her face.

A wannabe, yuppie modern 21 year old missy, who makes out and breaks up with guys at will and considers that one of the achievements to list on her resume along with being a topper in every subject, being a champ at every sport, not to mention a National Level swimmer and deep-sea diver who doesnt realize the water in Ladakh lakes is cold before she dives into one for a bet as measly as her budget for clothes and almost drowns in it before being rescued by a brooding armyman who waits till she chokes under the water before pulling her out. Some National swimmer she is!

And finally, we have the hero of the movie, the kind of guy you feel bad for because he is saddled with dumb and dumber as the choices for his mate in bed. Why am I being crass, you ask? Coz that's what he wants most of the time - to do the dirty. Dont blame him though, for the plastic looks really good and National champ has a penchant for chaddis shorter than a purse and tops that will make a tank-top look like a burkha. Any man who can remember what that means will fall for that.

Which brings us to the worst enemy of the movie - the plot. The plot is so skimpy, it competes with Katrina's skirt and Anushka's IQ for brevity. Its something even Sherlyn Chopra would be wary of wearing. Or maybe not. The story is ridiculous to say the least and borrows liberally from children's stories - for instance that part about keeping your promise with God. It also makes a mockery of the Indian Army and the noble profession of bomb diffusion. The innumerable plotholes are not even worth getting into. The music looks bad on-screen, the hammy cameos by Rishi Kapoor and Neetu Singh are embarassing and saddled with unbelievable logic. The background score is remarkable and keeps you awake through the 3.5 hrs. The cinematography is breathtaking and gives the film a fresh and majestic look - something the film is quick to counter through trite dialogue and cring-worthy scenes. Katrina is a mix of John Abraham and Neil Nitin Mukesh. Anushka is a mix of Preity Zinta on coke and Zayed Khan not on coke. SRK is okay as the 25 year old Londoner (although he cant pull it off that well anymore due to age) and really good as the armyman. It was good to see him not resort to buffoonery after years! Sadly, he is screwed over by a terribly written film. The saving grace is the last song showing Yashji directing the movie. It is a delight to watch. Unfortunate that he didnt sign-off his directorial career with the evergreen and entertaining Dil To Pagal Hai. Jab Tak Hain Jaan takes whatever life was left in viewers after watching ignominies like Ra.One, Mausam and Bol Bacchan and dunks it into the freezing Leh waters. And there's no brooding armyman waiting to resuscitate you back to life.

Identity crisis

**Spoilers!!!**

While watching Ek Tha Tiger, the thought that kept hitting me again and again was that throughout the making of the film, the makers faced a dilemma and were unable to decide what kind of movie they wanted to make. Did they want to make a realistic story of spies and their world, or did they want to make a full-blown, no-holds-barred, quintessential Salman Khan entertainer which defies logic and earns whistles and claps in abundance? They couldnt decide, and finally, they ended up making a movie that is neither here nor there.

Don't get me wrong. Ek Tha Tiger is not a bad movie. In fact, far from it! It has a decent plot, it maintains its tone and tempo and even has some stunning action scenes. But it is not a very entertaining film. At the same time, it is not the best Salman Khan film ever, as is being touted. Nor is it the best Bollywood action film yet. Heck, it is not even the best spy movie to come out of Bollywood this year. But before we get into comparisons, let's talk about what worked and what did not.

The story concept, although not terribly complex, is interesting. What happens when a spy decides he/she wants to lead a normal life? Can someone who has been trained and who has sworn to put country before self for all his or her life revert the decision at some point of time in life and start a new life afresh? There are so many possibilities there and Ek Tha Tiger pretty much skims over them. The screenplay is quite dull and underplays everything. The stakes dont rise high enough - not in the emotional scenes, not in the funny scenes and surprisingly, not even in the high voltage action scenes. The action scenes are excellently choreographed though, and do appear slick and sophisticated. They are fun to watch but the experience continues to be underwhelming, because the stakes arent high enough, and as an audience member, you dont feel the action has an end purpose that you care about. The culprit here is the direction, which underplays everything and ends up making the entire movie look like a ho-hum effort. The background music is apt and does improve the impact of the scenes in places.

Music is a mixed bag. Banjara is the weakest of the lot and is picturised very typically. It also comes at a point where the momentum of the film is already low and acts as a speed-breaker. Laapata is easy on the eye and comes as a refreshing change in the movie. Saiyaara is perhaps the best placed song, but lacks good visuals to accompany it. Maashallah comes off as the best of the lot, especially since it appears at the end as the credits roll, and there is nothing it can do to spoil the effect of the movie. It is easily the most energetic song of the album and, in spite of an uninspired display of dance moves by the lead pair, manages to entertain. Cinematography is excellent and every frame looks beautiful and adds to the scene. The direction by Kabir Khan, who gave us the very interesting Kabul Express and the fine-till-the-muddled-climax New York, is confused and, for lack of decision, makes a meddle of a good story idea and opportunity.

The supporting cast is pretty good and does a commendable job. Girish Karnad and Ranvir Shorey are a delight to watch in particular. Katrina Kaif is ill suited to the role and although she does her action scenes with aplomb, her emoting is wooden and listless. A better actress could have done wonders in this role, which itself needed more fleshing out. Salman Khan does well as a RAW agent, especially in the first half where he is under disguise and in the action scenes. He plays his part with conviction, without going over-the-top and without his usual low-brow humor. It is refreshing to watch him do simple stuff without hamming or overacting. Where he appears unconvincing is the romantic angle, and that is because the romance is half-baked.

Ultimately, Ek Tha Tiger is a well-meaning film, which at only 2 hrs 10 mins takes too long to come to the point and then makes the point very meekly. In the process, it does not entertain enough and ends up being a middling effort. It is neither a massy film that caters to Sallu fans nor one that will win critical acclaim for its finesse. Again, it is not a bad film, just an underwhelming one. And all this because it faces an identity crisis.

The Tiger Roars...Review

Coming soon....

Ek Tha Mish-mash

Ever since the movie was announced, there has been a lot of anticipation for seeing darling of the masses Sallu bhai in a classy action role sans the juvenile humor that is usually part of his movies (and that drives me nuts! Why does he need to do those pathetic jokes in every single movie!). I was looking forward to the music even more since it is composed by Sohail Sen, who delivered very enjoyable music in Mere Brother Ki Dulhan last year. The album is finally out.

The album starts off with a very, very ordinary Mashallah, sung by Wajid and Shreya Ghoshal and also composed by Sajid-Wajid. Wajid screws up the track to some extent with his uninspiring vocals. And Shreya is the wrong choice for the song. Sunidhi would have been perfect. The Arabian theme is good but the execution is where the song falters.

Next up is Banjaara, easily the best song of the album. I had been looking forward to this song since I saw the shoot clips in Jan. My first reaction to the song was it is underwhelming. The violin tune playing throughout the song is lovely, but Sukhvinder is not in form. His part lacks energy. The song starts off classy, even reminding one of Dil Gira Dafatan from Delhi 6, then moves on to a massy base, and ultimately cant make a choice between being classy and massy; ends up being a middling effort. But after repeated listens, it is starting to grow on me.

Next up is Laapata sung by KK and Shreya. It is okayish and sounds like a leftover from Mere Brother Ki Dulhan. These kind of songs suited Sallu during his Dulhan Hum Le Jayenge days when he put loads of energy into the dances.

The album concludes with Saiyaara, which is another neither here nor there effort. Mohit Chauhan does well but is not in top form. The song sounds like a wannabe great emotional number but ends up being just that - a wannabe.

The Tiger theme is decent, but nothing great. Overall, I am disappointed with the album, although it isnt the worst of the year. Its just about average. Expected a lot from it and Sohail Sen after his chartbusters last year. Hope this is one of those cases where okayish music does not spoil the effect of the movie (think 3 Idiots)

Con-Test

The Band Baaja Baaraat team is back this December and although Ladies vs Ricky Bahl is no patch on the super-entertainer from last year, its a pretty decent one-time watch. Generously borrowing its plot from Marathi play To Mee Navech, Hollywood turkey John Tucker Must Die, Jeffrey Archer's book Not A Penny More, Not A Penny Less and YRF's very own Bachna Ae Haseenon and Bunty Aur Babli, Ladies vs Ricky Bahl manages to hold its own for more than 2 hours without inciting a yawn from you and that in itself is no mean feat!

The story is quite predictable, but the cons, although not totally believable, are well-written and engaging. The first half is a breeze except for the songs which stick out like a sore thumb. The second half is bumpy but not too stretched, and since there's an agenda all through the movie, time passes by pretty quick. The dialogues are quite good and the screenplay, although hardly believable, is taut and doesnt even pretend to make sense, and that works in its favor. The acting is okay-okay. Ranveer Singh does decently but cannot recreate the Bittoo magic. Anushka Sharma looks emaciated and pretty much indifferent in her role. Dipannita Sharma is monotonous while Aditi Sharma fits her part perfectly. Parineeti Chopra is the life of the movie and steals the show completely! She is amazing as the Delhi girl and brings the house down every time she speaks. Here's one actress with some sense of comic timing and hope she gets more roles to showcase her talent. The music is a huge disappointment - barring Jigar Da Tukda to an extent, all other songs fail - on the eyes as well as the ears. The climax is a cop-out and the conventional treatment could have been avoided. But in spite of all its drawbacks, the movie is a fun ride. If not for anything else, do check it out for the new kid on the block - Parineeti Chopra! She maybe Priyanka Chopra's cousin, but she has the capacity to leave her more celebrated cousin behind with her spunk and non-fake attitude!

Dum Dum Dum Mast Hai!

Band Baaja Baaraat...the name doesnt do much justice to the film, in spite of the obvious reference to weddings. At most, it makes it sound like a tacky, over-the-top rendition of a wedding related tale. Thankfully, BBB is anything but that! And are we thankful to YRF for making an enjoyable film devoid of the Swiss Alps and sucky cliches! Hell yeah, we are! Because its been a while since I enjoyed a Hindi movie (Aakrosh was the last I liked, and that was 2 months back).

BBB, a tale of two wedding planners and their partnership, has a brisk narrative and an interesting story at heart. Predictable, yes, but there are enough interesting twists to keep you hooked. The dialogues by Habib Faisal are simple and interesting enough to keep the goings-on fun. Music by Salim-Sulaiman is really good, ranging from lilting tunes to foot-tapping numbers. Ainvehi and Dum Dum are the picks of the lot mainly due to energetic picturization. But what lifts this movie above the average are the performances of the leads as well as character actors and the direction by debutant Maneesh Sharma. Sharma avoids most cliches and although a couple of convenient plotholes escape his notice, we are willing to let that go as long as the movie is engaging. The character artists avoid caricatures and paint realistic yet non-boring characters, which adds to the fun quotient. Debutant Ranveer Singh pitches in a near-perfect performance as as the wannabe Bittoo. He is no Aamir Khan in acting chops, nor does he charm like a Shahid Kapoor but his sincerity can give some of the potential stars-in-the-making a run for their money! Anushka Sharma is a revelation, showing she possesses decent acting skills and carrying a lot of the film on her shoulders. Her looks are hardly conventional and yet she manages to look really good and perform really well. After a so-so performance in Rab Ne Bana Di BS and a half-baked role in the decent Badmaash Company,we are definitely impressed Miss Sharma!

BBB brings the fun back in watching movies, reminding you of an era when not all movies were magnum opuses, not all movies were touted to be the next big thing, not all movies were about more glitz and less script, not all movies were about more slapstick and less simple humor. This one deserves to be paid for and watched, for its an honest effort that delivers more than it promises and ensures you walk out of that cinema hall happy and satisfied. :)

Badmaash Soundtrack!

I usually dont do music reviews...bcz music is something that you cannot judge in 1-2-3-..-10 hearings...sometimes it takes a mere 15 second prelude to a song to decide whether ur gonna love it for the rest of ur life, sometimes even 100 loops arent enough...

Wait! I am not breaking my aforementioned unwritten rule bcz I found a kick-ass album! Just that its been a while since I heard some good music and I figured I havent raved about inane, senseless songs with foot-tapping beats and delicious melodies in a while....Doesnt hurt to do that occasionally, right? ;)

Badmaash Company looks like a rehash of Bunty Aur Babli, and while that makes me wanna puke, the soundtrack by Pritam sure is a guilty pleasure!

Ayashi, with its guitar-riffin' start and the 'beparwah' rendition by KK(after loong!) is just brimming with enthusiasm and chutzpah! Reruns galore and you still cant get the tune out of your head...

Chaska, sung earthily by Krishna, is refreshingly different, with its laidback mood and irrefutable reverence to a "high"er power. Brings back memories of "Dum Laga" from Dil Dosti Etc. Addictive!

Jingle Jingle is awesome with Mohit's unique rendition, the super-fun lyrics and the brilliant music! But for the ridiculous "Jingle Jingle" chorus which sucks to the bone, this could have been an anthem for keeps! Still a whole lot of fun, if you can phase out the pathetic "jingle jingle" sound!

Fakeera is the best of the lot! And that's saying something considering the album's full of pep and vigour! Rahat Fateh Ali Khan moves away from his typical stuff to give this lilting, meaningful and racy song, with a vintage Pritam stamp all over it!

That brings us to the title song, which put me off with the very first line

"Look Look Left, Look Look Right,

Kar Le Apni, Jeans Pant Tight!"

Trite has a new meaning!! Benny Dayal is wasted in this unflattering piece, which stands out like a sore thumb in an otherwise winner from Pritam!

Lets get this straight : the music of Badmaash Company isnt of the masterpiece variety, but come on, Pritam is no ARR, and to give credit where its due, he has given us awesome (albeit "lifted" :P) stuff like Gangster, Woh Lamhe, Life in a Metro, Awaarapan, Jab We Met, Jannat and Love Aaj Kal (woah! thats some line-up!! and I didnt even consider his massier stuff like Dhoom, D2, Billu and Race!); so when we say Pritam is back in form, it does mean something! :)

Hope the film works too, at least for Shahid Kapoor's sake, coz here's one actor who needs to get his due (and who also needs to learn to smell crap(Dil Bole Hadippa, CpD) from a distance and stay away!). Btw, Anushka, though not much of an actress IMO, is looking smokin' hot in the promos :D

New Dork!

A glitzy, much-cliched, occasionally gripping, often boring, more cosmetic, less hertfelt, stereotypical YRF stuff, thts saved frm being pure YRF-trash by a sensible director with some conviction and a heart somewhat in the right place and competent performances by John and Irrfan Khan and yet let down by unnecessary and unwarranted glamour, one-dimensional Neil, laughable loopholes, and an extremely banal, pointless and senseless climax, tht made me laugh my guts out at the end of the film when i shud hv been touched by the sensitive material on display....Its a crime to make a bad movie, but its a bigger crime to spoil an excellent concept, which in fact is pretty gripping till the last hour! Congos YRF on doing it yet again!

Rab needs to retire.Now.

As i cringed helplessly in my seat for the better part of 2.45 hrs, i cudnt believe the horror unfolding in front of me on the screen...Thr i was watching possibly THE most awaited movie frm YRF since long, and thr they were-the prime architects of the mega-project - Mr. 'I-am-the-greatest-ever' SRK and Mr. 'I-have-made-the-longest-running-film-ever-and-hence-I-rock' Aditya Chopra - botching up the film unforgivably! Day before, I had seen SRK harping in an interview abt how hs beloved "Adi" hd written the entire script in 12 days....now i kno how!

Rab Ne...is possibly one of the most gimmicky, illogical, irrational, chauvinistic and boring movies ever made...The plot is plain stupid/unbelievable, and while i can make my peace with tht, having likd a no. of David Dhawan films, the screenplay is, to put it mildly, pathetic, and the dialogues make u go "WTF" every now and then, and not for a good reason...SRK hams it up uncontrollably as Raj and makes u wanna eat ur own brains, surpassing his hamster-job in OSO by miles....to giv credit whr its due, he does try honestly and sincerely to portray a common-man character, and does succeed in a few moments...however, SRK being SRK, cant really change the way he emotes, and thts wt brings both the characters down...The new girl hs a single expression for the entire movie and u just cant undstnd wt the problem is wit her character...why does she agree to the marriage in the first place, why does she begin to lik Raj, why does she begin to like Suri, why, why, why....In fact the entire movie overflows with such why's...the girl does kno how to dance tho and she hs 'maintained' herself wel...so no complaints on tht count ;) Vinay Pathak does hs job wel altho hs character is so over-the-top u cant believ y HE hd to do the role...

but lets turn our attention now to the most crucial player in this entire melange...Mr. Rab...now, Sir, if ur reading ths frm somewhr, i urge u frm the bottom of my heart to retire....pronto...its high tim u let the humans in Adi Chopra's movies fend for themselves rathr thn banao-fying thr jodis...believ me...they dont need it....and neithr do we-the poor, hapless audience...

Turning our attention to the main culprit-Mr. Moneybanks....Aditya Chopra...i kno u lik to believe tht YOU are Rab...and the truth is, u need to retire before the original Rab (the 'uparwala pappe' as u ridiculously refer to Him in the movie!)... ur clueless as a director and very clearly stuck in a time-warp, much like Mr. Subhash Ghai, who gave us the 80s drama Yuvvraaj, and Mr. Harry Baweja, who ensured hs son wont get anothr movie by tryin to break the time-space continuum...and please-oh-please, kick ur dialogue writer for all he is worth...i wanted to kill myself whenevr i heard SRK saying in tht inimitably annoying style of hs 'Hum hain rahi pyaar ke....phir milenge chalte chalte' umpteen times in the movie...and the word Rab may soon enter the hall of fame of most used words in a worthless attempt at convenience and show-off...ditto for the ppl responsibl for the background music score...it gets so repetitive tht u start to feel somthngs wrong wit the audio...the no. of times they hv used the 'Haule haule' hook and the tune of 'Tujhme rab dikhta hai'....it drives u insane and makes u want to kill every1 responsibl for ths movie wit slow poison...

Thr r a couple of intelligent moments in the movie...especially the end credits, which r novel and interesting....and mayb the bollywood flashback song, which wud hv been a rage, hd v not seen somthng similar so recently in OSO, which btw ws light yrs ahead of Rab Ne.. in terms of intelligent humor (and sadly, stil dint manage to b path-breaking cinema, courtesy, once again, ham-star SRK!)...the placement of the song however, clearly shows the IQ level of the director...the songs r pretty good but fail to salvage the sinking ship...also, a couple of scenes r heart-warming and well-written, u thnk, but thn as soon as u begin to say to urself 'hey tht wsnt so bad....it ws pretty nice actually', the scene is stretched so much, it snaps into two, leading to the ugliest piece of acting and dialogue-delivery u cn imagine...and to make up for any sanity in the movie, u hv an array of ridiculously insane scenes, including the sumo-wrestler fight, the ILU light-up scene and the bike chase, which more thn manage to make u hang urself....

Also, the story reeks of chauvinism, and i cannot relate wit SRK trying hard to make his wife fall in love wit hs othr persona, and thn get all serious-an-emotional abt whethr she loves him or the othr 'him'...WTF dude, u startd the game and watevr she feels, ur utterly responsibl for it! m not even gonna bring up the pt of how the dumb @$$ Taani (yah...thts wt her name is!) cant distinguish between Suri and Raj, jus bcz of the outer appearance, altho they both hv similar emoting prowess...the famous monkey-expression on SRK's face is a dead, dead give-away...

This is possibly one of the biggest failures of the year, in terms of converting a good concept into a good movie, according to me...tht may not be the case for many, i kno, for, SRK enjoys an unending following...but all i wud lik to say is, Mr. Khan and Mr. Chopra, the world hs moved on....For an audience habituated to sumptuous food comprising of Rock On, A Wednesday, and even your own Bachana Ae Haseeno, and some tasty tit-bits lik Oye Lucky and Dasvidaniya, Rab Ne is lik the stale Chyawanprash tht ppl stopped eating long long long ago!

P.S.: ths movie doesnt deserv such a big review and so much of my tim...but thr r bound to b accusations of being anti-SRK(not entirely true) and promoter of realistic cinema(not at al true!), hence the detailed review :)

P.S. 2: check out http://passionforcinema.com/rab-ne-bana-di-jodi-a-question-of-answers/ hilarious :)

Bachana....He is here...

Ranbir Kapoor has arrived ....and how! :) Bachana Ae Haseeno obliterates the highly unsuccessful year and a half YRF has had with a breezy, likable, occasionally brilliant rendition of every guy's dream ;) :D

I wont dissect the movie much here because i dont feel like :) I'll just say this...its a well-directed, well-enacted, entertaining flick with a good script, competent performances from a supporting cast which thankfully stays caricature-free(Minisha-wow, Bipasha-hot, Deepika-mesmerising, Hiten Paintal-amazing), nice music, great locales (a YRF trademark!), its share of glitches, and surprise,surprise,surprise a rejuvenated Ranbir Kapoor, who overwrites any memories u hv of him frm Saawariya with a natural, suave, endearing and immensely likable show! Let me clear here tht i was one of those who hated his silly act in Saawariya....In fact, i had gone to the lengths of saying tht Bachna Ae Haseeno has 4 heroines and no hero...

Well, this dude surely hs made me eat humble pie...I take my words back... :) Welcome the next superstar!

Go...get entertained! with gen-y :)

P.S. : The only time i have ever regretted not joining Microsoft is while watching this movie...if you know wat i mean ;) :)

Tashan mein...

I know its been 2 months sonce tht torture called Tashan was inflicted upon humanity...But i recently came across this extremely well-etched and expertly crafted review of the movie on the internet and cudnt resist putting it up...after all,m all for sarcasm and something like Tashan deserves more of it!
So lets begin the post-mortem,which i promise wil definitely be more enjoyable than watching the movie :D

P.S. The views expressed below are neither my own nor in my words but they are certainly close to what i wud hv written hd i been conscious aftr the movie...
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Even the inmates in the asylum or a tramp on the Mumbai streets would have made a better movie than this Friday’s Bollywood release Tashan. What in the heck were the bozos at Yash Raj thinking when they unleashed a trashy movie like Tashan! Utterly bereft of anything worthwhile and an ugly amalgam of bad logic, rotten story, pitiful acting, ordinary photography and ear-damaging music, Tashan is a complete horror show, the likes of which have not been seen in Bollywood in a long, long time. And the architect of this monumental disaster is Vijay Krishna Acharya, who takes credit (discredit?) for Tashan’s story, screenplay, dialogs and direction. Even after making movies for over eight decades, the cavalcade of Bollywood idiots has yet to realize that story, screenplay, dialogues and direction are separate departments requiring the full-time attention of separate people. This clown Vijay Krishna Acharya has penned a story so bizarrely bad that it’ll surely be showcased in film schools as a lesson in how not to make a movie.
The dramatis personae are the ridiculously dressed baddie Bhayyaji (Anil Kapoor), his assistant Pooja Singh (Kareena Kapoor), a call center employee Jimmy Clifff (Saif Ali Khan) and Bhayyaji’s henchman Bachchan Pande (Akshay Kumar). While none of the four cover themselves with any glory for their performance, Anil Kapoor and Kareena Kapoor are egregiously bad. With her skimpy attire and scanty acting skills, the tiny-titted Kareena Kapoor, granddaughter of the late Bollywood director Raj Kapoor, is sheer agony to behold. One interesting trend in Bollywood movies is that the role of the ubiquitous vamp of yesteryear films has now been taken over by the heroine. Following close behind in tormenting the audience in Tashan is that overacting buffoon Anil Kapoor, a veteran of a gazillion Bollywood movies. Just goes to prove that wisdom or talent does not always improve with age. No, Akshay Kumar and Saif Ali Khan are not palliatives either. Hey, there are just no palliatives or redeeming elements in this piece of trash.
The story, if you can call it that, is laughably bad. A murderous thug Bhayyaji (Anil Kapoor) wants to learn English quickly so that he can impress a visiting foreign delegation. His assistant Pooja (Kareena Kapoor) hires a call center employee and part-time English teacher Jeetender Kumar Makhwana a.k.a. Jimmy Cliff to teach her evil boss English. Soon, Jimmy is head over heels in love with Pooja, who seems to reciprocate but actually has other plans up her sleeve. Pooja and Rs 25 crore belonging to Bhayyaji vanish one day. After giving Jimmy a few whacks, he sends a small-town thug called Bachchan Pande and Jimmy to locate the girl and the money.
The main culprit with Tashan is with its asinine script and hackneyed story that crumbles into dust just minutes after the start. Add bad music and mediocre acting to this stinking concoction and you have the recipe for a stinging migraine at the end.
Although the movie was filmed in “God’s Own Country” Kerala, Hardwar, Ladakh, Rajasthan and Greece(?), the photography in Tashan is worse than banal. Talk of throwing pearls before a swine. The fight scene where a big team of heavily armed commandos attack the ill-equipped group of Bhayyaji, Bachchan Pande, Jimmy and Pooja but yet suffer a crushing defeat sets a new low mark in the annals of crude Bollywood fights. It seems Peter Hein bears responsibility for this most crudely executed action scene. Tiresome dances involving foreign women (mostly White but occasionally Black as well) in skimpy attire is becoming de rigeur - and most irritating - in Hindi movies.
Once a powerful force in Bollywood, Yash Raj Films is now a spent force, lurching from one disaster to another. Take a dekko at some of the miserable offerings they’ve churned out lately Aaja Nachle, Laaga Chunari Mein Daag, Jhoom Barabar Jhoom and Ta Ra Rum Pum. Makes you want to puke. Perhaps, it’s time for the grand old man of Indian cinema Yash Chopra (the force behind Yash Raj Films) to quit Bollywood and settle into a profession where he can inflict his misery on a retail level rather than on a wholesale scale - say as a roadside Jalebi seller or village Barber. After all, Saif Ali Khan is served Jalebis in Bhayyaji’s lair early in this movie.
Watch this garbage of a movie called Tashan at the peril of losing your sanity.
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Now wasnt tht an amazing way of presenting exactly what u and i had in mind aftr being tortured for 2.25 hrs in the theatres, receiving the kind of treatment you wudnt even subject an enemy to?!! Hats off to the reviewer....The article was certainly more entertaining than the movie :D