Its almost 24 hrs since i watched Dev D and the movie hs been sinking inside all this while...I am sure there r gonna b hundreds of opinions abt this one and i know mine is just one in the whirlpool....but if ur an ardent lover of cinema as an art rather than just a mode of passing some time, only then will u undstnd wt m abt to say...Dev D is to hindi cinema what penicillin ws to medicine...or Galileo to astronomy...or Niels Bohr to chemistry...or T20 to cricket...its radical, its eccentric, its psychedelic, its subtle (rathr baap of subtle!), its technically astounding, and most importantly, its a crazy, crazy ride into the psyche of humanity! Thank God for mavericks and non-conformists!!!
Anurag Kashyap hs put an amazing spin on the age old Devdas story and the result is just spell-binding...his vision as a director is evident in more scenes than one...thrs so many memorable moments in ths movie, it'll b a huge spoiler to say anyone out aloud...and yet i cant stop myself frm talking abt one particular scene in which Chanda passes a stricture on morality in today's society "Half the country downloaded the video and derived self-gratification out of it...and they call me a slut!"...the takes on morality, ego, love and self-destruction are honest and raw...and path-breaking for hindi cinema...
Abhay Deol plays his part perfectly, but more than him, its the writer who writes his part to the T...the character is written so well, tht u begin to loathe Dev for the self-conceited egotist tht he is...and his self destruction is so tangible, u cn actually see it happening b4 ur own eyes! Mahi Gill as Paro is startling and forthright...the care she hs for Dev inspite of him being a scumbag, is genuine....and whenevr, some1 tries to make a doormat out of her, she doesnt hesitate one bit before showing the othr person his place! Darn good! But probably the most emotionally-relatable character of the ensemble is Chanda.....its brilliantly written with all the finer nuances crafted expertly and painstakingly...and wonderfully underplayed by Kalki...she lives the role like its her own...and in the process, provides the movie with the much needed emotional depth tht it othrwise lacks...
Inspite of being a trippy trip, this ones essentially a musical in the truest sense possible, bcz the songs carry the story forward instead of being huge boulders between scenes....its a case study in how songs cn serve as worthy substitutes to dialogues in narration...a word here for Amit Trivedi, who hs created the most freakin', tru-to-the-movie soundtrack ever!the songs r so appropriate and so well-used, tht they end up towering over everythng else, even the intelligently written lines and the technical finesse....and THT is sure a monumental task! not to take away anythng frm the technical crew, who hs done a fantabulous job, rit frm the camerawork to the art direction to the choreography (esp the break-dancing dudes in Pardesi!) to the background score to the editing....ths probably is one of the few movies, where almost nothing goes wrong in any of ths depts...
Of course, thr r bound to b a few glitches...lik the second half drags a wee-bit... and the end, altho radically diffrnt, is kinda abrupt and doesnt hit u lik a ton of bricks (and mayb thts y it does eventually manage to hit u hard, no matter what!)...the return of the break-dancing dudes for Saali Khushi seems like stretching the rubber-band too hard...and thrs self-indulgence on part of the director in a couple of instances, whr he gets carried away by his craft and tends to lose control....but ths r just minor abberations in an othrwis flawless piece of cinema (and for once, i wudnt hv the slightest hesitation in calling it ART, altho i used to hate tht word bcz of wht was erstwhile referred to as art in cinema!)...
The scenes and lines stay with u loooooooong aftr the movie's over...and the Einstein-ian 'A-Ha!' moments keep happening as each layer keeps unfolding with time...the multi-layered, multi-dimensional nature of the movie sure makes u take a trip inside ur own psyche....and thts saying a lot...bcz not many thngs, let alone movies, cn manage tht!
Everyone associated....take a bow!! Hats off!
Anurag Kashyap hs put an amazing spin on the age old Devdas story and the result is just spell-binding...his vision as a director is evident in more scenes than one...thrs so many memorable moments in ths movie, it'll b a huge spoiler to say anyone out aloud...and yet i cant stop myself frm talking abt one particular scene in which Chanda passes a stricture on morality in today's society "Half the country downloaded the video and derived self-gratification out of it...and they call me a slut!"...the takes on morality, ego, love and self-destruction are honest and raw...and path-breaking for hindi cinema...
Abhay Deol plays his part perfectly, but more than him, its the writer who writes his part to the T...the character is written so well, tht u begin to loathe Dev for the self-conceited egotist tht he is...and his self destruction is so tangible, u cn actually see it happening b4 ur own eyes! Mahi Gill as Paro is startling and forthright...the care she hs for Dev inspite of him being a scumbag, is genuine....and whenevr, some1 tries to make a doormat out of her, she doesnt hesitate one bit before showing the othr person his place! Darn good! But probably the most emotionally-relatable character of the ensemble is Chanda.....its brilliantly written with all the finer nuances crafted expertly and painstakingly...and wonderfully underplayed by Kalki...she lives the role like its her own...and in the process, provides the movie with the much needed emotional depth tht it othrwise lacks...
Inspite of being a trippy trip, this ones essentially a musical in the truest sense possible, bcz the songs carry the story forward instead of being huge boulders between scenes....its a case study in how songs cn serve as worthy substitutes to dialogues in narration...a word here for Amit Trivedi, who hs created the most freakin', tru-to-the-movie soundtrack ever!the songs r so appropriate and so well-used, tht they end up towering over everythng else, even the intelligently written lines and the technical finesse....and THT is sure a monumental task! not to take away anythng frm the technical crew, who hs done a fantabulous job, rit frm the camerawork to the art direction to the choreography (esp the break-dancing dudes in Pardesi!) to the background score to the editing....ths probably is one of the few movies, where almost nothing goes wrong in any of ths depts...
Of course, thr r bound to b a few glitches...lik the second half drags a wee-bit... and the end, altho radically diffrnt, is kinda abrupt and doesnt hit u lik a ton of bricks (and mayb thts y it does eventually manage to hit u hard, no matter what!)...the return of the break-dancing dudes for Saali Khushi seems like stretching the rubber-band too hard...and thrs self-indulgence on part of the director in a couple of instances, whr he gets carried away by his craft and tends to lose control....but ths r just minor abberations in an othrwis flawless piece of cinema (and for once, i wudnt hv the slightest hesitation in calling it ART, altho i used to hate tht word bcz of wht was erstwhile referred to as art in cinema!)...
The scenes and lines stay with u loooooooong aftr the movie's over...and the Einstein-ian 'A-Ha!' moments keep happening as each layer keeps unfolding with time...the multi-layered, multi-dimensional nature of the movie sure makes u take a trip inside ur own psyche....and thts saying a lot...bcz not many thngs, let alone movies, cn manage tht!
Everyone associated....take a bow!! Hats off!
3 comments:
i will beg/borrow/steal or even kill to watch this flick asap ;)
nice review man
Let me tell you honestly. Since when I saw the movie I was eager to read your blog!
Well written!
I agree with every sentence you write here....
The movie was unique in the sense that it causes you a lot of headache, and still you can't resist liking it!!
No other movie can better describe what an 'art film' is...
I agree the movie is quite unique, suble and experimental but for some reason it just didn't hit it for me, it wasn't very intense in any of the parts and u never felt like just letting yourself go with the flow. I also liked the line Chanda said on the double faced nature of society... The music was addictive and flowed well but I felt Emosenel Attyachar, even though it was an excellent song, acted as a bit of a blockage within the film...
On the whole though, great review! I like the way u word what u want to say to get it across in a more memorable way :)
Post a Comment